If Walls Could Talk: Chapala’s historic buildings and their former occupants

Now one of the most popular retirement area for Americans and Canadians, the Lake Chapala Region, nestled in a valley almost a mile high in Mexico’s Volcanic Axis,  has long been a draw for ex-pats and vacationers, lured by its almost perfect climate and beauty.

In his book If Walls Could Talk: Chapala’s historic buildings and their former occupants about Mexico‘s earliest international tourist destination (also available in Spanish), award-winning author Tony Burton shares his knowledge and interest in a region where he has spent more than two decades. Burton, a Fellow of the Royal Geographical Society who was born and educated in the United Kingdom, first visited Mexico in 1977. That visit was obviously a big success as he returned and for almost 18 years lived and worked full-time in Mexico as a writer, educator and ecotourism specialist.

He met his wife, Gwen Chan Burton who was a teacher of the deaf and then director at the Lakeside School for the Deaf in Jocotepec, one of the three main towns lining the shores of Lake Chapala. Though they now reside on Vancouver Island, British Columbia, the Burtons continue to revisit Mexico regularly and he is currently editor-in-chief of MexConnect, Mexico’s top English-language online magazine. The other two towns, each with its own distinctive vibe, are Ajijic and Chapala, native villages resettled by the Spanish Conquistadors in the 1500s. “This book looks at how Chapala, a small nondescript fishing village in Jalisco, suddenly shot to international prominence at the end of the nineteenth century as one of North America’s earliest tourist resorts,” writes Burton. “Within twenty years, Chapala, tucked up against the hills embracing the northern shore of Mexico’s largest natural lake, was attracting the cream of Mexican and foreign society. Thus began Lake Chapala’s astonishing transformation into the vibrant international community it is now, so beloved of authors, artists and retirees.”

The book, organized as a walking tour, covers not only existing buildings but also pinpoints the spots where significant early buildings no longer stand but their histories still weave a story of the town. It’s only a partial guide, explains Burton, noting that an inventory prepared by the National Institute of Anthropology and History identified more than eighty such buildings in Chapala including many not easily visible from the road but hidden behind high walls and better viewed from the lake.

Among the famous people who lived in Chapala at some point in their careers was author D.H. Lawrence, probably best remembered for his risqué (at the time) novel, Lady Chatterley’s Lover.

In 1923, Lawrence and his wife, Frieda, rented Casa de las Cuentas (House of Rosary Beads), a house that dates back to the 1800s. At the time, a one-story abode with a half-moon entrance and heavy wooden gates, it was located at 307 Calle Zaragoza, a street formerly known as Calle de la Pesquería (“Fishing street”) so named as it was where the local fishermen repaired their nets and hung them out to dry. It was while living on Calle Zaragoza that Lawrence wrote the first draft of The Plumed Serpent, published in 1926. The novel is described asthe story of a European woman’s self-annihilating plunge into the intrigues, passions, and pagan rituals of Mexico.”

Over the decades, after the Lawrences moved out, subsequent changes were made to Casa de las Cuentas including  the addition of a swimming pool in the mid-1950s when artist Roy MacNicol and his wife, Mary, owned the home.

While Lawrence’s writings were considered by some as scandalous, MacNicol’s life had its scandals as well. Burton describes him as “colorful” in that he was married multiple times and was involved in many escapades as well as lawsuits.

Mary, embracing the local culinary traditions including the use of flowers in cooking, authored Flower Cookery: The Art of Cooking With Flowers.

It wasn’t the work of a dilettante as reviews of her book such as this one on Amazon shows.

“Flower Cookery is recipes, but far more than recipes,” writes one reviewer. “The book is organized by the popular name of the flower in question. Each section is introduced with quotations from literature, philosophy, and poetry that feature the blossom. This is followed by the recipes, interwoven with mythology, stories, and aphorisms about the flower, the plant from which it grows, its symbolism, and the culture or society in which humans discovered the value of the plant or blossom. The recipes include original favorites as well as recipes collected from historical sources and contemporary sources around the world. Here is just the tiniest sampling of the riches in the book.”

Burton shares her Christmas Cheer recipe from when she lived at Casa de las Cuentas.

Christmas Cheer

10-12 squash blossoms with stems removed

2 eggs, beaten

2 to 3 tablespoons water

Flour, enough to thicken mixture about one tablespoon

Salt and pepper

1 cup neutral oil such as grapeseed, canola, or safflower

Wash and dry squash blossoms on paper towels, making sure to remove all the water. Mix remaining ingredients except oil to make a smooth batter. Place oil in a large, heavy skillet to 350-375°F. Dip blossoms in batter and fry in oil until golden brown. Drain on paper towels. Serve hot.

As for the house, it was renovated again in the early 1980s and is now Quinta Quetzalcoatl, a lovely boutique hotel.

If Walls Could Talk is one of four books that Burton has written on the Lake Chapala region. The other three are Foreign Footprints in Ajijic: decades of change in a Mexican Village; Lake Chapala Through the Ages: an anthology of travelers’ tales  (2008), and the recent Lake Chapala: A Postcard history. All are available as print and ebooks on Amazon.

The above maps, both copyrighted, show Chapala 1915 [lower map] and 1951 [upper map].

In all, he’s planning on adding several more to what he currently calls the Lake Chapala Quartet, these focusing on the writers and artists associated with the area.  I asked him  to describe the region so readers who have never been there can get an idea of what it is like, but it turns out the Burton is NOT a traveler who meticulously plots every moment of a trip before he arrives. Instead, he tells me that part of the fun when traveling is to not know in advance what places are like and instead to see and experience them for yourself.

“That said,” he continues, “the various villages and towns on the shores of Lake Chapala are all quite different in character. The town of Chapala, specifically, is a pretty large and bustling town. It is growing quite rapidly and has added several small high end boutique hotels in recent years, as well as some fine dining options to complement the more traditional shoreline ‘fish’ restaurants. The many old–100 years plus–buildings in Chapala give the town a historic ‘air’ where it is relatively easy to conjure up images of what it was like decades ago. By comparison, Ajijic, now the center of the foreign community on Lake Chapala, has virtually no old buildings and more of a village and artsy feel to it, though it also has very high quality accommodations and more fine restaurants than you can count.”

Other structures still standing include the Villa Tlalocan, completed in 1896 and described by a contemporary journalist as “the largest, costliest and most complete in Chapala… a happy minglement of the Swiss chalet, the Southern verandahed house of a prosperous planter and withal having an Italian suggestion. It is tastefully planned and is set amid grounds cultivated and adorned with flowers so easily grown in this paradisiacal climate where Frost touches not with his withering finger…”

Also still part of the landscape is Villa Niza. One of many buildings designed by Guillermo de Alba, the house, according to Burton, was built in 1919 and looks more American than European in style. Located at Hidalgo 250, it takes advantage of its setting on Lake Chapala and has a mirador (look out) atop the central tower of the structure, which affords sweeping panoramic views over the gardens and lake. De Alba’s strong geometric design boasts only minimal exterior ornamentation.

Burton, who specializes in non-fiction about Mexico, related to geography, history, travel, economics, ecology and natural history, has written several fascinating books about the history of the Lake Chapala region.

In If Walls Could Talk, Burton invites you to walk with him through time as you explore the city.

Three Charming Villages on the shores of Lake Chapala

Born in the United Kingdom, Tony Burton, a Cambridge University-educated geographer with a teaching certificate from University of London, first traveled to Mexico after spending three years as a VSO [Voluntary Service Overseas] volunteer teaching geography, and writing a local geography text, on the Caribbean island of St. Kitts. From there his travels took him to Mérida in summer 1977, where he spent several weeks backpacking around southern and central Mexico, returning two years later to teach at Greengates School in Mexico City.

Over the next seven years, Tony traveled extensively throughout Mexico, visiting every state at least once, and organizing numerous four-day earth science fieldwork courses for his students. He co-led the school’s extensive aid efforts following the massive 1985 earthquake.

From Mexico City, he moved to Guadalajara, where he continued to organize short, residential fieldwork courses for a number of different schools and colleges and began organizing and leading specialist eco-tours for adult groups to destinations such as Paricutín Volcano, the monarch butterfly sanctuaries, and Copper Canyon.

An award winning author, he’s written numerous books about Mexico including his latest Lake Chapala: A Postcard History (Sombrero Publishing). It’s part of a series he’s written on this region which is located about an hour south of Guadalajara. The 417-square-mile lake, Mexico’s largest, located in the states of Jalisco and Michoacán is situated at an elevation of  5,000ft in the middle of the Volcanic Axis of Mexico and is known for its wonderful climate, laid-back ambience, and is a popular destination for both travelers and ex-pats looking for a charming, low-key place to relocate. The three main towns along the lake are Chapala, Ajijic and Jocotepec. In an intriguing aside, Tony met his wife Gwen Chan Burton when she was working as at the director of the pioneering Lakeside School for the Deaf in Jocotepec. Gwen writes about the school and all that it has accomplished in her book, New Worlds for the Deaf, also published by Sombrero Books.

Tony’s other books about this region include Western Mexico A Traveler’s Treasury, illustrated by Mark Eager, now in its fourth edition; Mexican Kaleidoscope: Myths, Mysteries and Mystique, illustrated by Enrique Veláquez, and Foreign Footprints in Ajijic: Decades of Change in a Mexican Village. I’ll be covering them in upcoming posts.

Because I’m always interested in foodways, Tony was kind enough to share a copy of an undated Spanish language project put together by students from the Instituto Politécnico Nacional School of Tourism titled “Gastronomy of Jalisco.”  It includes numerous recipes from the region including one for the famous Caldo Michi of Chapala (the recipe is below).

I had the chance to ask Tony, who currently is the editor of MexConnect, Mexico’s leading independent on-line magazine, about Lake Chapala: A Postcard History as well as the time he spent in this beautiful region of Mexico.


How did you first become familiar with Lake Chapala?

I first visited Lake Chapala in early 1980, on my way back to Mexico City from the Copper Canyon and Baja California Sur. Little did I imagine then that it would be where I would later fall in love, get married, and have two children!

What inspired you to write Lake Chapala: A Postcard History?

There is no single overwhelming inspiration. I realized, while living at Lake Chapala and writing my first books about Mexico, that a lot of what had been previously written was superficial and left many unanswered questions. In the hopes of finding answers, I decided to trawl through all the published works (any language) I could find, which resulted in Lake Chapala Through the Ages (2008), my attempt to document and provide context to the accounts of the area written between 1530 and 1910.

My next two books about Lake Chapala—If Walls Could Talk: Chapala’s Historic Buildings and Their Former Occupants, and Foreign Footprints in Ajijic: Decades of a Change in a Mexican Village—focused on the twentieth century history of the two main centers for the very numerous foreign community now living on ‘Lakeside.’ Part of my motivation was to dispel some of the myths that endlessly recirculate about the local history, as well as to bring back to life some of the many extraordinary pioneering individuals indirectly responsible for the area becoming such an important destination for visitors.

Lake Chapala: APostcard History is my attempt to widen the discussion and summarize the twentieth century history of the entire lake area. Its reliance on vintage postcards makes this a very visual story, one which I hope will appeal to a wide readership, including armchair travelers.



What were some of the challenges you encountered in writing this book? Was it difficulty finding the numerous postcards you included? And doing the extensive research that went into the book? Are there any intriguing stories about hunting down certain postcards and any “aha” moments of discovery when writing your book?

The main challenge was in deciding how best to structure the material. Because of the originality of what I’m doing, it is impractical to follow the advice that writers should start with a detailed plan and then write to that plan! In my case, after collecting the information and ideas that exist, the challenge is to select what can be teased and massaged into a coherent and interesting narrative.

Because the postcard book is the product of decades of research, I had ample time to build my personal collection of vintage postcards, through gifts, auctions and online purchases.

There were many significant “aha” moments in the process: some concerned the photographers and publishers responsible for the postcards and some the precise buildings or events depicted. While I’m saving some of these “aha” moments–because they are central to a future book–one was when it suddenly dawned on me that wealthy businessman Dwight Furness was the photographer of an entire series of cards (Figs 6.3, 6.4, 6.5, etc.) that relate to my next response.



If you could go back in time to visit one of the resorts that is no longer there that you featured in your book, is there one that stands out and why is that?

Ooohhh; I’d love to go back to about 1908 and stay at the Ribera Castellanos resort (Chapter 6) during its heyday. While staying there, perhaps I could interview owner Dwight Furness, his wife and a few guests? Apart from a few ruined walls, Furness’ postcards of the resort are pretty much the only remaining evidence of the hotel. And perhaps one night I could invite local resident and prolific professional photographer Winfield Scott and his wife to dinner to hear their stories?

How long did it take to write Lake Chapala?

The writing took less than a year; but only because of the many prior years of research.

Since I often talk about food and travel, are there any culinary specialties in the Lake Chapala region?

Long standing culinary specialties of the area include (a) Lake Chapala whitefish (b) charales (c) caldo michi. And, when it comes to drinks, there is a very specific link to postcards. The wife of photographer José Edmundo Sánchez, who sold postcards ( Figs 7.5, 7.6 and 7.7) in the 1920s from his lakefront bar in Chapala, is credited with inventing sangrita, still marketed today as a very popular chaser or co-sip for tequila. (Chapter 7, page 74).

Is there anything else you’d like readers to know about your book?

I hope readers find the book as fun and interesting to read as it was to write!

MICHI BROTH

Ingredients:

  • 2 tablespoons corn oil
  • ¾ kg of tomato seeded and in pieces
  • ¼ onion in pieces
  • ½ kg carrot, peeled and cut into diagonal slices
  • ½ kg of sliced ​​zucchini
  • 4 or 6 chiles güeros
  • 100 gr. chopped coriander
  • 2 sprigs of fresh oregano
  • Salt to taste
  • 2 ½ liters of water
  • 1kg well washed catfish, yellow carp or red snapper

PREPARATION: Heat the oil and stew the vegetables in it, add water and salt to taste, let it simmer over low heat until the vegetables are well cooked, then add the fish and leave it for a few minutes more until it is soft.

Sangrita

I had the opportunity to stay at Tres Rios Nature Park, a 326-acre eco-resort north of Playa del Carmen and was first introduced to sangrita during my stay. I took several cooking lessons and learned to make a dish with crickets, but that is a different story. Chef Oscar also talked to us about the history of sangrita. The Spanish name is the less-than-appetizing “little blood” but hey, when you’re learning to grill crickets, you can deal with a name like that. The drink, as Tony writes in his postcards book, originated in Chapala in the 1920s.

Here is the excerpt:

”In the same year the Railroad Station opened, Guillermo de Alba had become a partner in Pavilion Monterrey, a lakefront bar in a prime location, only meters from the beach, between the Hotel Arzapalo and Casa Braniff,” he writes. “The co-owner of the bar was José Edmundo Sánchez. Regulars at the bar included American poet Witter Bynner, who first visited Chapala in 1923 in the company of D H Lawrence and his wife, Frieda. Bynner subsequently bought a house near the church. When de Alba left Chapala for Mexico City in 1926, Sánchez and his wife—María Guadalupe Nuño, credited with inventing sangrita as a chaser for tequila—ran the bar on their own. After her husband died in 1933, María continued to manage the bar, which then became known as the Cantina de la Viuda Sánchez (Widow Sánchez’s bar).”

Sangrita is typically used as accompaniment to tequila, highlighting its crisp acidity and helping to cleanse the palate between each peppery sip. According to Chef Oscar, the red-colored drink serves to compliment the flavor of 100% agave tequila. The two drinks, each poured into separate shot glasses, are alternately sipped, never chased and never mixed together.

Here is Chef Oscar’s recipe and below is one from Cholula hot sauce which originated in Chapala. Tony has a great story about that as well. More in my next post on his books.

For one liter of Sangrita:

  • 400 ml. orange juice
  • 400 ml. tomato juice
  • 50 ml. lemon juice
  • 30 ml. Grenadine syrup
  • 20 ml. Worcestershire sauce
  • Maggi and Tabasco hot sauce (mixed up) to taste
  • Salt and pepper to taste

Mix together all the ingredients and serve cold. Suggested duration of chilling : 3 to 4 days.

Cholula’s Sangrita

  • 1/4 cup (2 ounces) fresh orange juice
  • 1/4 cup (2 ounces) fresh grapefruit juice
  • 2 tablespoons fresh lime juice
  • 20 pomegranate seeds
  • 3 fresh sprigs of cilantro or to taste
  • 1/2 stalk celery
  • 3 teaspoons smoked coarse sea salt or sal de gusano, divided
  • 1 tablespoon Cholula® Original Hot Sauce

Place all ingredients except salt in blender container, with about 1 cup ice cubes. Puree until smooth.Strain twice though a fine mesh sieve, discarding any solids.

Rim shot glasses with sea salt. Serve sangrita cold in rimmed shot glasses alongside your favorite tequila.