As an original supporter of the National Book Festival, C-SPAN’s Book TV is contributing the following for this year’s event – held on Saturday, August 12, at the Walter E. Washington Convention Center: • live coverage of author interviews and panel discussions. • lengthy live call-in interviews with nonfiction authors on location from the grand lobby. • 20,000 totes promoting both the Library of Congress and C-SPAN’s Book TV available to Festivalgoers. • public access to its video coverage via C-SPAN’s online archives at C-SPAN.org.
C-SPAN’s Book TV has been providing live, in-depth, uninterrupted coverage of the National Book Festival – and partnering with the Library of Coverage on promotion – since the event began on September 8, 2001.
Book TV’s LIVE coverage has taken C-SPAN’s audience to the Festival’s various venues – U.S. Capitol grounds (2001), a vast tent city on the National Mall (2002-2013), an expo-style event in the Washington Convention Center (2014-2019), a virtual event during the pandemic (2020-2021), and back to the Walter E. Washington Convention Center (2022).
Book TV’s extensive coverage of nonfiction authors appearing at the National Book Festival kicks off the network’s coverage of book fairs held throughout the country in the fall. And the celebration of C-SPAN’s 25 years of Book TV will launch from this year’s festival.
About Book TV: Book TV – Sundays on C-SPAN2 – is the only television service dedicated to nonfiction books. Book TV features programming on a rich variety of topics, such as history, biography, politics, current events, the media and more. Watch author interviews, book readings and coverage of the nation’s largest book fairs. Every Sunday on C-SPAN2 starting 8 am ET or online anytime at booktv.org. Use that website as well to connect with Book TV via social media and the email newsletter.
About C-SPAN: C-SPAN, the public affairs network providing Americans with unfiltered access to congressional proceedings, was created in 1979 as a public service by the cable television industry and is now funded through fees paid by cable and satellite companies that provide C-SPAN programming. C-SPAN connects with millions of Americans through its three commercial-free TV networks, C-SPAN Radio, C-SPAN Podcasts, the C-SPAN Now app, C-SPAN.org and various social media platforms.
The network’s video-rich website contains over 270,000 hours of searchable and shareable content. Engage with C-SPAN on Twitter, Facebook, Instagram and YouTube, and stay connected through weekly and daily newsletters.
Full 2023 National Book Festival Book TV Coverage Schedule, Saturday Aug. 12 9amET Interview Librarian of Congress Carla Hayden
The Library of Congress National Book Festival now includes the year-round series of events – National Book Festival Presents – featuring high-caliber authors, their books and corresponding Library treasures. For more literary programs and book-related events, visit the poetry and literature events calendar.
Lisa Kingsley quotes the French gastronome Jean Antheime Brillat-Savarin who famously wrote “Just tell me what you eat and I will tell you who you are,” in the introduction to her new book, Smithsonian American Table: The Foods, People, and Innovations That FeedUsthat culls the vast archives of the Smithsonian Institute where just the word “food” yields tens of thousands of results. The Smithsonian, which opened over 175 years ago, is the nation’s museum, and it’s not a stretch to say that food is the nation’s passion. What Kingsley, in collaboration with the Smithsonian Institute, has accomplished is to provide snapshots of how our environment, availability of foods, and migration have played an important part in what our ancestors ate and what we eat now.
Trying a variety of foods is often called grazing, and Kingsley, who has been writing about food for more than three decades and is currently the editorial director of Waterbury Publications, a company in Des Moines, Iowa that produces and packages books for publishers, authors, personalities, and corporate brands, has created the literary equivalency in presenting a history of foods for our reading pleasure.
“The long history of hot sauce began about 7000 years ago in Bolivia, where chile peppers grew wild,” writes Kingsley in her chapter, “Food Fads & Trends,” which also includes the history of not only our addiction to fiery sauces but also explores snacking, fermentation, the craft beer movement, fad diets, the backyard cookout, and, among others, community cookbooks and sushi. The latter had a much shorter trajectory to fame and availability than one would ever expect of a dish consisting of raw fish and rice often accompanied by wasabi paste and fresh ginger.
“Propelled by an economic boom in Japan and bolstered by American hipster culture, what started as a street snack almost 200 years ago is now as likely to get as a hamburger or hot dog,” writes Kingsley who describes sushi spreading from California where it appeared in a restaurant right next to a Century 21st Century Fox studio to everywhere. That includes your local grocery store.
Trends are fascinating, but so are the other subjects in this book that are highlighted in such chapters as “Innovators & Creators.” That list would have to include Irving Naxon who applied for a patent on a slow cooker he invented in 1936. Now, out of almost 123 million households in the U.S., approximately 100 million have a slow cooker tucked away in a cabinet or pantry or even on the counter. On the opposite side of slow cooking was Percy Spencer whose application of microwave technology to cooking led to the Radarange, the first microwave oven, which was both the size of a conventional oven and sold at a costly $1295 in 1955.
In Chapter Five, we meet the “Tastemakers,” such as early cookbook authors Fannie Farmer, Lizzie Kander, and Irma S. Rombauer as well as chefs who would be the early innovators for the boom in the cult of television chef celebrities of today. Lena Richard, the host of the Lena Richard’s New Orleans Cook Book show that aired in 1948, was the author of the New Orleans Cook Book said to be the first Creole cookbook by a person of color. She would be followed by now better-known names of those early cooking shows like James Beard and Julia Child.
Each of the chapters is illustrated not only with historic and current photos of people, foods, and products but also full color photos of the 40 plus iconic recipes included in the book such as Beard’s Cocktail Canapes and Child’s Smoked Salmon & Dill Souffle. Of special interest are the sidebars such as “The Black Brewmaster of Monticello,” a reference to Peter Hemings, the enslaved chef of Thomas Jefferson.
Kingsley’s preparation, research, and organization of this book is a wonderful account of the foodways of America and how they came about, and it can easily be read from front to back or delved into according to the reader’s interest. Either way, it’s our history and after reading this you can now look at a chunk of artisan cheese, a photo of the Harvey Girls, or a plate of Korean Fried Chicken and know how they—and so many others—became part of our national food conversation.
The following are from Smithsonian American Table.
Southeast Michigan is home to the country’s largest Arab American population. The first influx of immigrants began in the early 1900s, when — according to local legend — there was a chance encounter between a Yemeni sailor and Henry Ford, who told the sailor that his automobile factory was paying $5 a day. The sailor took word back to Yemen, where it spread. For decades, as people fled conflicts in the Middle East, many sought economic opportunities near Dearborn, bringing their food traditions with them. This recipe comes from Patty Darwish of Dearborn, whose great-grandfather immigrated from Lebanon in the late 1800s. Note: You want the texture to be somewhere between couscous and a paste. If you don’t grind the chickpeas enough, the falafel won’t hold together, but if you overgrind, you will wind up with hummus. This recipe must be made in advance.
From “Smithsonian American Table,” by Lisa Kingsley in collaboration with the Smithsonian Institution (Harvest, 2023).
For the falafel:
2 c. dried chickpeas
1 c. coarsely chopped fresh parsley
1 c. coarsely chopped fresh cilantro
1 small onion, coarsely chopped
1/4 of a green bell pepper
1 serrano chile, seeded and coarsely chopped, optional
Soak the chickpeas in 3 cups of water at least 12 hours or overnight. (Be sure chickpeas are always covered with water. If necessary, add more.) Drain and rinse.
In a blender or food processor, grind beans in batches until almost smooth (see Note). Transfer to a large bowl. Add parsley, cilantro, onion, green pepper and chile (if using) to the blender. Blend until almost smooth. Add to bowl with chickpeas and stir until well combined. Add the cumin, garam masala, chili powder and salt and black pepper to taste. Stir until well combined.
No more than 15 minutes before you cook the falafel, add the baking powder and stir well to combine. Form into patties, using about 2 tablespoons of the mixture per falafel.
In a large deep skillet, heat about 2 inches of vegetable oil over medium-high heat. Cook falafel 5 or 6 at a time until golden brown on both sides. Drain on a paper towel-lined plate.
Meanwhile, prepare the tahini sauce. In a small bowl, whisk together the tahini, garlic, lemon juice, water and parsley. Season to taste with salt and pepper. Add more water if necessary to achieve desired consistency.
To serve, place falafel in the middle of a pita bread. Add desired toppings and drizzle with tahini sauce. Fold and serve.
Lena Richard’s Crab a la King
6 tbsp. unsalted butter
4 tbsp. all-purpose flour
1 c. light cream or half-and-half
1 c. whole milk
8 oz. lump crabmeat
1/2 c. sliced mushrooms
3 tbsp. finely chopped green pepper
3 tbsp. chopped pimiento
1 tsp. Coleman’s dry mustard
Kosher salt and freshly ground black pepper
2 large egg yolks, beaten
2 tbsp. fresh lemon juice
2 tbsp. dry sherry (optional)
4 puff pastry shells, baked according to package directions
In a medium saucepan, melt butter over medium-low heat. Add flour and whisk until combined. Slowly whisk in cream and milk. Add crabmeat, mushrooms, green pepper, and pimiento. Add dry mustard and salt and black pepper to taste. Bring to a simmer and cook for 5 minutes. Reduce heat to low.
Add eggs and lemon juice. Turn heat to medium and cook, stirring frequently, until thickened, 3 to 5 minutes. Stir in sherry, if desired.
“even if we never make these dishes of ancient times, Miller’s book is a fascinating read.”
“They say ‘history is written by the victors,’ but in my experience, history is written by those who write stuff down, and food is no exception,” writes Max Miller in the introduction to Tasting History, his new cookbook that delves into the foods we’ve eaten throughout millennia.
Four years ago, Miller had little interest in cooking. But when a friend became sick while they were vacationing and they watched seasons of a cooking shows while overindulging on nachos, that all changed. Developing a passion for baking, he soon was taking his cakes and pastries to Walt Disney Studios where he worked. Besides sharing his creations, Miller also explained the origins of the recipes. Suggestions from friends influenced him to start a YouTube show titled “Tasting History with Matt Miller.” Shortly after, the pandemic hit, Miller was furloughed from his job, as were many others, and his show became a hit to all those stuck at home.
Now Miller has taken it to the next level with this deep dive into food history that includes original recipes and Miller’s adaptations for home chefs as well as photos, original drawings, anecdotes, and cook’s notes.
The recipe for this stew is easy, but even if a person could, though it’s unlikely, find the fatty sheep tails, another ingredient—risnatu—has no definite translation, though Miller says it’s commonly agreed upon that it’s a type of dried barley cake. He solves both those problems in his adaptation of the recipe by providing appropriate substitutions that honor the dish’s origins but make it available to modern kitchens.
But even if we never make these dishes of ancient times, Miller’s book is a fascinating read. As we get closer to our own times—the book is arranged chronologically—we find dishes that are more recognizable such as precedella, a German recipe originating in 1581 that instructed cooks to “Take fair flour, a good amount of egg yolk, and a little wine, sugar and anise seed and make a dough with it.”
Of course, modern pretzels don’t typically have wine and anise seeds in them, but Miller provides a recipe using all those ingredients so we can get the same flavor profile as the precedellas that were baked almost 500 years ago. It is indeed tasting history.
Miller has culled recipes from around the world. The book also includes the foodways of medieval Europe, Ming China, and even the present with a 1914 recipe for Texas Pecan Pie that Miller describes as “a time before corn syrup came to dominate the dessert.” His adaptation of the original recipe uses sugar since corn syrup didn’t begin to dominate until the 1930s. The 1914 recipe also calls for a meringue topping, an addition not found in modern pecan pies. So even within a short time span of just over 100 years, Miller shows us how a recipe has evolved though he assures us, we’ll like the 1914 version best.
“Ladies of the Lights” Presentation by Michigan Maritime Expert Dianna Stampfler Showcases Female Keepers of Michigan’s Historic Beacons
“Ladies of the Lights” Presentation Showcases Female Keepers of Michigan’s Historic Beacons
Michigan lighthouse historian and author Dianna Stampfler has announced a series of presentations of her popular “Ladies of the Lights” in honor of Women’s History Month. This program, which includes readings from newspapers and autobiographies, as well as countless historic photos, sheds light on the dedicated women who served at lights around the state dating back as early as the 1830s.
These were women before their time, taking on the romantic yet dangerous and physically demanding job of tending to the lighthouses that protected the Great Lakes shoreline. Given this was also a government job, their involvement was even more unique. In all, nearly 50 women have been identified who excelled in this profession over the years.
One of the most notable was Elizabeth (Whitney) VanRiper Williams who took over the St. James Harbor Light on Beaver Island after her husband, Clement, died while attempting to rescue the crew of a ship sinking in the harbor. She later became the first keeper of the Little Traverse Lighthouse in Harbor Springs, retiring after a combined 44 years of service.
There is also Julia (Tobey) Braun Way who outlived two husband keepers at the Saginaw River Rear Range Lighthouse in Bay City, and some say who still haunts the place today. Anastasia Truckey served as the interim keeper at the Marquette Harbor Lighthouse in the 1860s while her husband, Nelson, was off serving in the Civil War. Mary Terry served 18 years before she died in a fire at the Sand Point Lighthouse in Escanaba in 1886 – her death still shrouded in mystery 137 years later.
As part of a weekend-long Walloon Lake Writer’s Retreat Weekend at Hotel Walloon, the public is invited to a FREE event – A Lakeside Chat with Author John Patrick Hemingway – on Friday, April 14 at the Talcott Event Venue in downtown Walloon Lake. Doors will open at 7pm with a cash bar featuring a Pilar’s Rum Hemingway Daiquiri (see recipe below), along with select wine and beer; the discussion will begin at 7:30pm and a book signing will follow.
Throughout the weekend, the Canadian/American writer and journalist will lead writers in a series of workshops, readings and other creative exercises meant to inspire personal storytelling. Last year’s inaugural Writer’s Retreat was led by Ernest’s great granddaughter (and John’s niece), Cristen Hemingway Jaynes, author of Ernest’s Way.
In addition to his memoir, John Hemingway has published a number of short stories in magazines and literary reviews such at The Saturday Evening Post and Provincetown Arts and has also written for many fishing and hunting magazines such as Showboats International and Ducks Unlimited. His first novel, Bacchanalia: A Pamplona Story(2019), takes place in Spain during the Fiesta de San Fermín, a nine-day event that was made famous in the1920s by the publication of his grandfather’s work The Sun Also Rises.
Ernest Hemingway was just three months old when he made his first trip from his hometown of Oak Park, IL to Walloon Lake where his parents – Clarence and Grace (Hall) – had purchased property along the North Shore. Ernest spent time every summer until 1921 at the family’s beloved Windemere cottage there, the simple cottage still owned by descendants today. The woods and waters in and around Walloon Lake shaped Hemingway’s life in many ways and it was a place he always held dear to his heart. It was here that his 1972 posthumously published book, The Nick Adams Stories, is primarily set.
To inquire about availability for the “Walloon Lake Writer’s Retreat ” please contact Hotel Walloon at 231-535-5000.
Now one of the most popular retirement area for Americans and Canadians, the Lake Chapala Region, nestled in a valley almost a mile high in Mexico’s Volcanic Axis, has long been a draw for ex-pats and vacationers, lured by its almost perfect climate and beauty.
He met his wife, Gwen Chan Burton who was a teacher of the deaf and then director at the Lakeside School for the Deaf in Jocotepec, one of the three main towns lining the shores of Lake Chapala. Though they now reside on Vancouver Island, British Columbia, the Burtons continue to revisit Mexico regularly and he is currently editor-in-chief of MexConnect, Mexico’s top English-language online magazine. The other two towns, each with its own distinctive vibe, are Ajijic and Chapala, native villages resettled by the Spanish Conquistadors in the 1500s. “This book looks at how Chapala, a small nondescript fishing village in Jalisco, suddenly shot to international prominence at the end of the nineteenth century as one of North America’s earliest tourist resorts,” writes Burton. “Within twenty years, Chapala, tucked up against the hills embracing the northern shore of Mexico’s largest natural lake, was attracting the cream of Mexican and foreign society. Thus began Lake Chapala’s astonishing transformation into the vibrant international community it is now, so beloved of authors, artists and retirees.”
The book, organized as a walking tour, covers not only existing buildings but also pinpoints the spots where significant early buildings no longer stand but their histories still weave a story of the town. It’s only a partial guide, explains Burton, noting that an inventory prepared by the National Institute of Anthropology and History identified more than eighty such buildings in Chapala including many not easily visible from the road but hidden behind high walls and better viewed from the lake.
Among the famous people who lived in Chapala at some point in their careers was author D.H. Lawrence, probably best remembered for his risqué (at the time) novel, Lady Chatterley’s Lover.
In 1923, Lawrence and his wife, Frieda, rented Casa de las Cuentas (House of Rosary Beads), a house that dates back to the 1800s. At the time, a one-story abode with a half-moon entrance and heavy wooden gates, it was located at 307 Calle Zaragoza, a street formerly known as Calle de la Pesquería (“Fishing street”) so named as it was where the local fishermen repaired their nets and hung them out to dry. It was while living on Calle Zaragoza that Lawrence wrote the first draft of The Plumed Serpent, published in 1926. The novel is described as “the story of a European woman’s self-annihilating plunge into the intrigues, passions, and pagan rituals of Mexico.”
Over the decades, after the Lawrences moved out, subsequent changes were made to Casa de las Cuentas including the addition of a swimming pool in the mid-1950s when artist Roy MacNicol and his wife, Mary, owned the home.
While Lawrence’s writings were considered by some as scandalous, MacNicol’s life had its scandals as well. Burton describes him as “colorful” in that he was married multiple times and was involved in many escapades as well as lawsuits.
It wasn’t the work of a dilettante as reviews of her book such as this one on Amazon shows.
“Flower Cookery is recipes, but far more than recipes,” writes one reviewer. “The book is organized by the popular name of the flower in question. Each section is introduced with quotations from literature, philosophy, and poetry that feature the blossom. This is followed by the recipes, interwoven with mythology, stories, and aphorisms about the flower, the plant from which it grows, its symbolism, and the culture or society in which humans discovered the value of the plant or blossom. The recipes include original favorites as well as recipes collected from historical sources and contemporary sources around the world. Here is just the tiniest sampling of the riches in the book.”
Burton shares her Christmas Cheer recipe from when she lived at Casa de las Cuentas.
10-12 squash blossoms with stems removed
2 eggs, beaten
2 to 3 tablespoons water
Flour, enough to thicken mixture about one tablespoon
Salt and pepper
1 cup neutral oil such as grapeseed, canola, or safflower
Wash and dry squash blossoms on paper towels, making sure to remove all the water. Mix remaining ingredients except oil to make a smooth batter. Place oil in a large, heavy skillet to 350-375°F. Dip blossoms in batter and fry in oil until golden brown. Drain on paper towels. Serve hot.
As for the house, it was renovated again in the early 1980s and is now Quinta Quetzalcoatl, a lovely boutique hotel.
The above maps, both copyrighted, show Chapala 1915 [lower map] and 1951 [upper map].
In all, he’s planning on adding several more to what he currently calls the Lake Chapala Quartet, these focusing on the writers and artists associated with the area. I asked him to describe the region so readers who have never been there can get an idea of what it is like, but it turns out the Burton is NOT a traveler who meticulously plots every moment of a trip before he arrives. Instead, he tells me that part of the fun when traveling is to not know in advance what places are like and instead to see and experience them for yourself.
“That said,” he continues, “the various villages and towns on the shores of Lake Chapala are all quite different in character. The town of Chapala, specifically, is a pretty large and bustling town. It is growing quite rapidly and has added several small high end boutique hotels in recent years, as well as some fine dining options to complement the more traditional shoreline ‘fish’ restaurants. The many old–100 years plus–buildings in Chapala give the town a historic ‘air’ where it is relatively easy to conjure up images of what it was like decades ago. By comparison, Ajijic, now the center of the foreign community on Lake Chapala, has virtually no old buildings and more of a village and artsy feel to it, though it also has very high quality accommodations and more fine restaurants than you can count.”
Other structures still standing include the Villa Tlalocan, completed in 1896 and described by a contemporary journalist as “the largest, costliest and most complete in Chapala… a happy minglement of the Swiss chalet, the Southern verandahed house of a prosperous planter and withal having an Italian suggestion. It is tastefully planned and is set amid grounds cultivated and adorned with flowers so easily grown in this paradisiacal climate where Frost touches not with his withering finger…”
Also still part of the landscape is Villa Niza. One of many buildings designed by Guillermo de Alba, the house, according to Burton, was built in 1919 and looks more American than European in style. Located at Hidalgo 250, it takes advantage of its setting on Lake Chapala and has a mirador (look out) atop the central tower of the structure, which affords sweeping panoramic views over the gardens and lake. De Alba’s strong geometric design boasts only minimal exterior ornamentation.
Burton, who specializes in non-fiction about Mexico, related to geography, history, travel, economics, ecology and natural history, has written several fascinating books about the history of the Lake Chapala region.
In If Walls Could Talk, Burton invites you to walk with him through time as you explore the city.
Born in the United Kingdom, Tony Burton, a Cambridge University-educated geographer with a teaching certificate from University of London, first traveled to Mexico after spending three years as a VSO [Voluntary Service Overseas] volunteer teaching geography, and writing a local geography text, on the Caribbean island of St. Kitts. From there his travels took him to Mérida in summer 1977, where he spent several weeks backpacking around southern and central Mexico, returning two years later to teach at Greengates School in Mexico City.
Over the next seven years, Tony traveled extensively throughout Mexico, visiting every state at least once, and organizing numerous four-day earth science fieldwork courses for his students. He co-led the school’s extensive aid efforts following the massive 1985 earthquake.
From Mexico City, he moved to Guadalajara, where he continued to organize short, residential fieldwork courses for a number of different schools and colleges and began organizing and leading specialist eco-tours for adult groups to destinations such as Paricutín Volcano, the monarch butterfly sanctuaries, and Copper Canyon.
An award winning author, he’s written numerous books about Mexico including his latest Lake Chapala: A Postcard History(Sombrero Publishing). It’s part of a series he’s written on this region which is located about an hour south of Guadalajara. The 417-square-mile lake, Mexico’s largest, located in the states of Jalisco and Michoacán is situated at an elevation of 5,000ft in the middle of the Volcanic Axis of Mexico and is known for its wonderful climate, laid-back ambience, and is a popular destination for both travelers and ex-pats looking for a charming, low-key place to relocate. The three main towns along the lake are Chapala,Ajijic and Jocotepec. In an intriguing aside, Tony met his wife Gwen Chan Burton when she was working as at the director of the pioneering Lakeside School for the Deaf in Jocotepec. Gwen writes about the school and all that it has accomplished in her book, New Worlds for the Deaf, also published by Sombrero Books.
Because I’m always interested in foodways, Tony was kind enough to share a copy of an undated Spanish language project put together by students from the Instituto Politécnico Nacional School of Tourism titled “Gastronomy of Jalisco.” It includes numerous recipes from the region including one for the famous Caldo Michi of Chapala (the recipe is below).
I had the chance to ask Tony, who currently is the editor of MexConnect, Mexico’s leading independent on-line magazine, aboutLake Chapala: A Postcard History as well as the time he spent in this beautiful region of Mexico.
How did you first become familiar with Lake Chapala?
I first visited Lake Chapala in early 1980, on my way back to Mexico City from the Copper Canyon and Baja California Sur. Little did I imagine then that it would be where I would later fall in love, get married, and have two children!
What inspired you to write Lake Chapala: A Postcard History?
There is no single overwhelming inspiration. I realized, while living at Lake Chapala and writing my first books about Mexico, that a lot of what had been previously written was superficial and left many unanswered questions. In the hopes of finding answers, I decided to trawl through all the published works (any language) I could find, which resulted in Lake Chapala Through the Ages (2008), my attempt to document and provide context to the accounts of the area written between 1530 and 1910.
Lake Chapala: APostcard History is my attempt to widen the discussion and summarize the twentieth century history of the entire lake area. Its reliance on vintage postcards makes this a very visual story, one which I hope will appeal to a wide readership, including armchair travelers.
What were some of the challenges you encountered in writing this book? Was it difficulty finding the numerous postcards you included? And doing the extensive research that went into the book? Are there any intriguing stories about hunting down certain postcards and any “aha” moments of discovery when writing your book?
The main challenge was in deciding how best to structure the material. Because of the originality of what I’m doing, it is impractical to follow the advice that writers should start with a detailed plan and then write to that plan! In my case, after collecting the information and ideas that exist, the challenge is to select what can be teased and massaged into a coherent and interesting narrative.
Because the postcard book is the product of decades of research, I had ample time to build my personal collection of vintage postcards, through gifts, auctions and online purchases.
There were many significant “aha” moments in the process: some concerned the photographers and publishers responsible for the postcards and some the precise buildings or events depicted. While I’m saving some of these “aha” moments–because they are central to a future book–one was when it suddenly dawned on me that wealthy businessman Dwight Furness was the photographer of an entire series of cards (Figs 6.3, 6.4, 6.5, etc.) that relate to my next response.
If you could go back in time to visit one of the resorts that is no longer there that you featured in your book, is there one that stands out and why is that?
Ooohhh; I’d love to go back to about 1908 and stay at the Ribera Castellanos resort (Chapter 6) during its heyday. While staying there, perhaps I could interview owner Dwight Furness, his wife and a few guests? Apart from a few ruined walls, Furness’ postcards of the resort are pretty much the only remaining evidence of the hotel. And perhaps one night I could invite local resident and prolific professional photographer Winfield Scott and his wife to dinner to hear their stories?
How long did it take to write Lake Chapala?
The writing took less than a year; but only because of the many prior years of research.
Since I often talk about food and travel, are there any culinary specialties in the Lake Chapala region?
Long standing culinary specialties of the area include (a) Lake Chapala whitefish (b) charales (c) caldo michi. And, when it comes to drinks, there is a very specific link to postcards. The wife of photographer José Edmundo Sánchez, who sold postcards ( Figs 7.5, 7.6 and 7.7) in the 1920s from his lakefront bar in Chapala, is credited with inventing sangrita, still marketed today as a very popular chaser or co-sip for tequila. (Chapter 7, page 74).
Is there anything else you’d like readers to know about your book?
I hope readers find the book as fun and interesting to read as it was to write!
2 tablespoons corn oil
¾ kg of tomato seeded and in pieces
¼ onion in pieces
½ kg carrot, peeled and cut into diagonal slices
½ kg of sliced zucchini
4 or 6 chiles güeros
100 gr. chopped coriander
2 sprigs of fresh oregano
Salt to taste
2 ½ liters of water
1kg well washed catfish, yellow carp or red snapper
PREPARATION: Heat the oil and stew the vegetables in it, add water and salt to taste, let it simmer over low heat until the vegetables are well cooked, then add the fish and leave it for a few minutes more until it is soft.
I had the opportunity to stay at Tres Rios Nature Park, a 326-acre eco-resort north of Playa del Carmen and was first introduced to sangrita during my stay. I took several cooking lessons and learned to make a dish with crickets, but that is a different story. Chef Oscar also talked to us about the history of sangrita. The Spanish name is the less-than-appetizing “little blood” but hey, when you’re learning to grill crickets, you can deal with a name like that. The drink, as Tony writes in his postcards book, originated in Chapala in the 1920s.
Here is the excerpt:
”In the same year the Railroad Station opened, Guillermo de Alba had become a partner in Pavilion Monterrey, a lakefront bar in a prime location, only meters from the beach, between the Hotel Arzapalo and Casa Braniff,” he writes. “The co-owner of the bar was José Edmundo Sánchez. Regulars at the bar included American poet Witter Bynner, who first visited Chapala in 1923 in the company of D H Lawrence and his wife, Frieda. Bynner subsequently bought a house near the church. When de Alba left Chapala for Mexico City in 1926, Sánchez and his wife—María Guadalupe Nuño, credited with inventing sangrita as a chaser for tequila—ran the bar on their own. After her husband died in 1933, María continued to manage the bar, which then became known as the Cantina de la Viuda Sánchez (Widow Sánchez’s bar).”
Sangrita is typically used as accompaniment to tequila, highlighting its crisp acidity and helping to cleanse the palate between each peppery sip. According to Chef Oscar, the red-colored drink serves to compliment the flavor of 100% agave tequila. The two drinks, each poured into separate shot glasses, are alternately sipped, never chased and never mixed together.
Here is Chef Oscar’s recipe and below is one from Cholula hot sauce which originated in Chapala. Tony has a great story about that as well. More in my next post on his books.
For one liter of Sangrita:
400 ml. orange juice
400 ml. tomato juice
50 ml. lemon juice
30 ml. Grenadine syrup
20 ml. Worcestershire sauce
Maggi and Tabasco hot sauce (mixed up) to taste
Salt and pepper to taste
Mix together all the ingredients and serve cold. Suggested duration of chilling : 3 to 4 days.
1/4 cup (2 ounces) fresh orange juice
1/4 cup (2 ounces) fresh grapefruit juice
2 tablespoons fresh lime juice
20 pomegranate seeds
3 fresh sprigs of cilantro or to taste
1/2 stalk celery
3 teaspoons smoked coarse sea salt or sal de gusano, divided
1 tablespoon Cholula® Original Hot Sauce
Place all ingredients except salt in blender container, with about 1 cup ice cubes. Puree until smooth.Strain twice though a fine mesh sieve, discarding any solids.
Rim shot glasses with sea salt. Serve sangrita cold in rimmed shot glasses alongside your favorite tequila.
Didn’t get a ticket for Taylor Swift’s upcoming tour? Don’t despair. Think of all the money you saved when jamming out instead to Midnights along with a good book instead. The librarians at Libby, an app for borrowing ebooks, audiobooks, magazines, and more that let’s you borrow from your local library for free, went track by track to come up with pairings to go along with the new album, check out that list here.
The best part? Unlike a $700+ floor seat and hours of Ticketmaster torture, these books are free. So instead of a credit card, just whip out your library card.
Piper Bellinger is an Instagram wild child with a trust fund and a penchant for riling up the paparazzi. A lot of people make assumptions about her, including Brendan—at first. Both characters show that there’s more than meets the eye and they don’t give a darn what people think if they’re meant to be together.
Jokes about Jacob Black and Renesmee aside, this song captures the vibe of the franchise and the era of the books and movies so well. Whether it evokes Bella’s four-month depression (Hello, One day I’ll watch as you’re leaving / And life will lose all its meaning), Edward feeling like “a monster on the hill” and a danger to his love, or truly the “covert narcissism” disguised “as altruism” from just about every Cullen, this song has the Twilight franchise covered.
Addie makes a deal with the devil and lives forever, but is forgotten by everyone she meets. That’s until she meets a man who remembers her name. A lot of her life and loves feel like snow on the beach: weird but beautiful and, often, impossible.
With lyrics like, I didn’t choose this town, I dream of getting out and I hosted parties and starved my body / Like I’d be saved by a perfect kiss down to the repetition of You’re on your own, kid, you always have been, this song evokes so many of the feelings Jennette describes throughout her book: navigating life with her mother, being forced into Hollywood and just doing her best to survive.
Micah is the “Prince of Chicago.” He runs a popular (anonymous) Instagram filled with drawings of his numerous, imaginary boyfriends. He’s got it all, but knows he’s so much more than that. When Boy 100 turns into his very first boyfriend, he finds that love is so much more than what’s been living in his head. He has to fight the hurt as he tries to make his own name while Boy 100 is chasing the fame.
Auden spends a lot of nights reading or walking around town—basically doing anything but sleep. She runs into a fellow night owl, Eli, and they form a friendship as they both try to work through their stuff. These lyrics match perfectly:
Good girl, sad boy, big city, wrong choices. We had one thing goin’ on I swear that it was somethin’ / ‘Cause I don’t remember who I was before you painted all my nights / A color I’ve searched for since.
There are so many strong, powerful and amazing women in literature who could absolutely “draw the cat eye, sharp enough to kill a man,” but from the jump, this song evokes thoughts of sticking it to The Capitol. Whether dressing for revenge, or taking down the corrupt system from the inside, Katniss Everdeen and her crew are up to some vigilante sh*t.
We could totally imagine “Karma” as Lily’s anthem as she navigates the tricky dynamics of her ex, Ryle, and the feelings she has for Atlas as they meet again as adults. Lily deserves her second chance at love despite the others that keep trying to bring her down.
This is such a magical and spooky series by Bray, filled with love and mysterious powers. There are so many moments in this book that feel like they only happen when all the stars aligned, and the love story of Theta and Memphis is surely one of them. From their chance meeting during the raid of the Hotsy Totsy club in Book 1, to discovering Theta’s past in Book 3, this pair absolutely embodies “the first night that you saw me nothing was gonna stop me.”
After you soak in the new album, head over to the Libby reading app to find the perfect book match.
About the Author
Joe Skelley has always been a lover of reading and passionate about the library. His love of libraries brought him to OverDrive where he works on the Events team, working with the Digital Bookmobile and co-hosts the Professional Book Nerds podcast. Joe loves thrillers, magical realism and the broad spectrum of YA. When he’s not working, Joe loves to listen to audiobooks and podcasts, watch YouTube, get too involved in a DIY project and (most importantly) play with his Boston Terrier, Roscoe.
This November, the St. Louis County Library and the St. Louis Jewish Book Festival are hosting SLCL Authors @ the J – a joint event series for readers throughout the St. Louis metro area. Additional information about St. Louis County Library’s author series is available online. Unless otherwise noted, all events are free and open to the public. All events are held at the J’s Staenberg Family Complex (2 Millstone Campus Drive).
The St. Louis Jewish Book Festival is an annual celebration of authors, books, and ideas during early November, with additional author events year-round. The range of author topics is vast: business, cooking, economics, family, fiction, history, music, religion, sports, and more.
Now in its 44th year, the Festival is nationally recognized for both its excellence and its size – it is one of the largest in the country with more than 10,000 audience members annually. People from all backgrounds and religions come to Festival events to hear premier speakers, share their thoughts, and ask questions.
St. Louis County Library and the St. Louis Jewish Book Festival are pleased to announce SLCL Authors @ the J – a joint event series for readers throughout the St. Louis metro area. Additional information about St. Louis County Library’s author series is available online. Unless otherwise noted, all events are free and open to the public. All events are held at the J’s Staenberg Family Complex (2 Millstone Campus Drive).
The St. Louis Jewish Book Festival thanks the Novel Neighbor for providing books by our presenting authors. The festival receives a percentage of sales for every book sold. Please support the St. Louis Jewish Book Festival and the Novel Neighbor by purchasing your books at the festival.
How to Purchase Books at the St. Louis Jewish Book Festival
In-person during the St. Louis Jewish Book Festival. Call 314-442-3299 for more info.
Wondering what fork to use when serving bourbon isn’t a question we commonly ask, but authors Peggy Noe Stevens and Susan Reigler are entertainment and bourbon experts who travel frequently conducting seminars and tastings. The impetus for their book stems from being constantly asked how to go about hosting the perfect cocktail or dinner party starting from table setting to pairing the best foods and bourbons.
Now Stevens and Reigler are the type of Kentucky women who if they were going to tailgate at the Kentucky Derby wouldn’t bring a cooler filled will take-out from the deli counter of the local grocery store to be served on paper plates and eaten with plastic dinnerware. This type of Kentucky woman brings great grandmother’s silver serving dishes and great great Aunt Mabel’s fine China. And, of course, the food would be equally well turned out though not necessarily fussy or hard to make.
Despite the elegance of it all, Stevens and Reigler don’t want anyone “to work their fingers to the bone planning and executing.”
After all, they say, “the best form of bourbon etiquette is simple to make people feel comfortable.”
The following recipes are from Which Fork Do I Use With My Bourbon.
Dark and Bloody Mary:
1 teaspoon salt, pepper, paprika mix
2 ounces bourbon
2 large lemon wedges
1 tablespoon Worcestershire sauce
1 can (6 ounces) tomato juice
To prepare the seasoning mix, combine in a mortar (or spice grinder) one part each smoked sea salt, smoked black pepper, and smoked paprika (the authors suggest these should all come from Bourbon Barrel Foods–bourbonbarrelfoods.com). Finely crush with a pestle and shake together in a jar.
To a pint glass or a large mason jar filled with ice, add the bourbon, squeeze and drop in the lemon wedges, and add 1teaspoon of the seasoning mix and the Worcestershire sauce. Shake. Add more ice and the tomato juice. Shake again.
Garnish with a long straw and baby corn, large pitted black olive, and cherry pepper, all on a stick.
Combine all the cocktail ingredients in a shaker. Shake on ice and double-strain into a coupe glass. Garnish with a sage leaf.
Macerate 1 pint of dates with rich syrup (1 pound of “sugar in the raw” and ½ pound of water, heated and stirred until the sugar dissolves).
Susan’s Tuna Spread:
Author Susan Reigler came across this recipe forty years ago in a small spiral-bound book of recipes by James Beard that was included with her purchase of a Cuisinart food processor. She always gets raves when she serves it. Spicy and tangy, this is not your bachelor uncle’s bland tuna fish salad.
2 5-ounce cans albacore tuna packed in water, drained
⅓ cup mayonnaise
¼ cup tightly packed fresh parsley sprigs
Juice of 1 lemon
1½ tablespoons coarsely ground black pepper
Combine all the ingredients in a food processor and blend briefly.
Bourbon Pineapple Poundcake:
1 cup brown sugar
¼ cup bourbon
1 to 2 fresh pineapples, quartered and sliced
in thick strips
1 pound cake
Preheat the oven to 175 degrees. Mix the brown sugar and bourbon until it forms a thin paste. Lay the pineapple strips side by side in a baking dish.
Brush the brown sugar mixture thickly on the pineapple strips. Put the dish in the oven and allow the mixture to melt over the pineapple until warm.
Lay the pineapple strips over slices of pound cake and ladle any extra juice over each slice. Serve immediately.
Woodford Reserve Chocolate Bread Pudding:
12 cups stale French bread, diced in 1-inch cubes
1 quart whole milk
3 eggs, beaten
1¾ cups sugar
1 tablespoon vanilla
1 teaspoon cinnamon
6 ounces dark or bittersweet chocolate, chopped in large chunks
3 tablespoons unsalted butter, melted
Place the bread cubes in a large bowl and toss with the milk until the
bread is moistened. Soak for at least 1 hour.
Preheat the oven to 350 degrees. Whisk together the eggs, sugar,
vanilla, and cinnamon and pour over the bread-milk mixture. Fold
together until well mixed.
Fold in the chocolate chunks and mix until evenly distributed. Pour
into a greased, deep 13- by 9-inch pan. Drizzle the melted butter over
the batter and cover with foil.
Bake for 30 minutes covered and then for another 10 to 15 minutes
uncovered, until the pudding is set and firm in the middle and golden
brown on top. Serve warm with Bourbon Butter Sauce.