Joffrey Ballet delivers passionate, exceptional ‘Carmen’

By Guest Blogger Eloise Marie Valadez

The Joffrey Ballet recently opened its 70th season with the U.S. and Joffrey premiere of the outstanding ballet “Carmen.”

Victoria Jaiani and Dylan Gutierrez are seen in “Carmen.” Photo provided by The Joffrey Ballet© Cheryl Mann 2025

“Carmen,” starring choreography by Liam Scarlett, continues to Sept. 28 at The Lyric Opera House in Chicago. Scarlett is also the choreographer of the acclaimed ballet “Frankenstein.”

The story of “Carmen” revolves around a seductive gypsy named Carmen, who causes mayhem in the life of soldier Don Jose, leading to a complicated love triangle, destructive relationships and tragedy.

With the Joffrey Ballet at the helm of this story, this theatrical  production soars with skillful and dynamic dance moves. The musical score by Georges Bizet shines as well.

“Carmen” originally had its debut in 2015 by the Norwegian National Ballet.

Starring as Carmen in the Joffrey’s opening night production was Victoria Jaiani, who offered a passionate, sultry and engaging performance. Dancers Alberto Velazquez as Don Jose and Dylan Gutierrez, as the bullfighter Escamillo, proved powerful in their roles as they executed energetic leaps, turns and other dynamic dance moves.

Kudos to the entire troupe for its terrific performance throughout the full-length ballet. The Joffrey Ballet never fails to draw audiences in with their adept performances.

FYI: “Carmen,” by The Joffrey Ballet, continues to Sept. 28 at the Lyric Opera House, 20 North Upper Wacker Drive, Chicago. Visit joffrey.org.

About Eloise Marie Valadez

Guest blogger Eloise Marie Valadez, a frequent contributor to Travel/Food, is a professional journalist/writer and editor with four decades of experience covering the arts, entertainment, and culinary industries. A native of Chicago, she has a passion for the written word.

Top photo: Victoria Jaiani stars in The Joffrey Ballet’s “Carmen.” Photo by Cheryl Mann.

Winning Works: Choreographers Shine at Museum of Contemporary Art

By Guest Blogger Eloise Marie Valadez

Inspiring and energetic dance works are in the spotlight at Chicago’s Museum of Contemporary Art.

The 15th annual “Winning Works” program presented by The Grainger Academy of The Joffrey Ballet runs through March 23 at the museum’s Edlis Neeson Theater. The program showcases the dances of artists who submitted their works in the annual choreographic competition which spotlights ALAANA (African, Latinx, Asian, Arab and Native American) artists.

Five world premieres star on the program which features dancers from the Joffrey Studio Company, Joffrey Ballet Conservatory and trainees. The works presented are surely standouts. All five are creative, innovative and are performed by skilled young artists.

The works that star on the show roster are “Lusi” by Alejandro Perez; “Jive Five” by Shota Miyoshi; “Bereshit” by Karley Childress; “Soulcry” by Roderick George; and “Seachange” by Keelan Whitmore. Each work is choreographed to special musical pieces by composers who worked specifically with the choreographers.

Dancers in the dark
Dancers are seen in the work “Jive Five.”

Prior to each work being performed, video clips of interviews with each choreographer and dancers who perform the works provide a good background for understanding each dance. This show definitely proves there are a great number of up-and-coming choreographers emerging on the scene today.

The Museum of Contemporary Art
The Museum of Contemporary Art

FYI: “Winning Works” runs through March 23 at The Museum of Contemporary Art, 220 E. Chicago Ave., Chicago. Visit joffrey.org.

About Eloise Marie Valadez

Guest blogger Eloise Marie Valadez, a frequent contributor to Travel/Food, is a professional journalist/writer and editor with four decades of experience covering the arts, entertainment, and culinary industries. A native of Chicago, she has a passion for the written word.

Joffrey Ballet presents outstanding new works in ‘Golden Hour’

By Guest blogger Eloise Marie Valadez.

Through the years’ The Joffrey Ballet has always offered dance fans works to enjoy, themes to think about and simply beautiful execution to marvel at.

Such is the case with the troupe’s newest program, “Golden Hour.”

Wed, Feb 19, 2025 © Cheryl Mann 2025

“Golden Hour,” which continues to March 2, is being presented at the Lyric Opera of Chicago.

The program “Golden Hour” offers an engaging mixed repertoire blending works that stand out for their blend of beautiful choreography, dramatic movement and plenty of humor at times.

The dancers in the company prove skilled artists in whatever work they tackle.

In “Golden Hour,” the Joffrey shines in four works. Among the highlighted presentations is “Under The Trees Voices” with choreography by Nicolas Blanc. The piece, which features skilled and modern choreography, was created in memory of Blanc’s grandfather.

Showing the whimsical side of the Joffrey is the “Princess and the Pea,” starring choreography by Dani Rowe. It’s quite a humorous take on the fairy tale that showcases the company’s dancers’ sharp acting talents.

Wed, Feb 19, 2025 © Cheryl Mann 2025

Also on the program are the outstanding “Andante” starring choreography by Yuri Possokhov and “Heimat” featuring choreography by Cathy Marston.

“Golden Hour” is definitely not to be missed.

FYI: “Golden Hour” continues to March 2 at Lyric Opera House, 20 W. Wacker Drive, Chicago. Tickets start at $36. Visit joffrey.org.

Cutline for cover photo: Dylan Gutierrez and Jeraldine Mendoza are pictured in “Under The Trees Voices.” Photo by Cheryl Mann

The Chicago Flamenco Festival 2021

Flamenco, that artistic expression of music, movement, song, and dance originating in Andalucía Spain and possibly dating back to the 8th century, is on display during the Chicago Flamenco Festival 2021 presented by the Instituto Cervantes de Chicago, a non-for-profit center for the Spanish language and cultural exchange.     

Chicago Flamenco Festival 2021

“Flamenco is a dance of passion,” says Teresa Hernando Rojo, cultural activities coordinator at the Instituto Cervantes and director of the festival which runs until November 13 “It takes great skill and dedication.” 

Best described as a solo dance with three components, canto (song), baile (dance) and one of three forms—intense, grand, and intermediate, flamenco is also an energetic and a highly expressive art form incorporating hand clapping, fancy footwork, elaborate hand, arm, and body movements all accompanied by music. It’s enthralling to observe—percussive footwork and clicking castanets, elaborate and richly colored costumes often patterned (at least for the women; the men seem to prefer black) with the music and movements expressing a wide range of emotions.

The attention to detail is amazing, even the way the bailaora or female dancer ties her long hand-embroidered shawl is representative of differing moods. Adding to the visual impact are ornate fans, perfectly coiffed hair, ruffled dresses cut high in front to enable movement, veils, and combs.

“Even the costumes are very traditional,” continues Hernando, noting that the costumes often worn during the performers at the festival are handmade by people who specialize and only make flamenco clothing.

It’s also a family tradition, flamenco is often passed down through the generations. Performers learn from parents who have learned from their parents, fathers to sons and mothers to daughters.

Performers during the five week events include Kati Golenko, one of the few women professional flamenco guitar players, and Miguel Reyes Jimenez, a master of the flamenco cajon who has written books on the subject. Golenko, who was born in Chicago and Jimenez, who is from Mexico City, met in Madrid and believe that flamenco is not only for people who were born into the tradition. They invite foreigners to join what they describe the clan of flamenco bastards, ‘The global tribe of #flamencobastards are all of us who were born outside of Spain, lacking flamenco purity in our veins, but for some strange reason, palpating with flamenco in our blood. We can´t speak to purity, but we can share what’s ours: technique, feeling, and strength.”

Other performers include Nino de los Reyes who was nine years old when he performed in “Campanas Flamencas,” directed by Paco Sánchez, founder of the legendary Cumbre Flamenca and Amparo Heredia, known as “La Repompilla,” who premiered her own show, “Herencia Flamenca,” at the Tío Luis de la Juliana festival in Madrid in 2017. This year she won La Lámpara Minera, the most prestigious and highest International flamenco singing award.

“The great thing about flamenco is you don’t have to understand the language to understand its power and beauty,” says Hernando. 

For information on the Flamenco Festival and shows, click here, or contact the Instituto Cervantes at 312-335-1996; chicago.cervantes.es.